vicemag:

We Interviewed a Blind Film Critic
If you’re one of those army fuckers with 20/20 vision, chances are you’re not aware that there’s a whole other (very fuzzy) world that us lesser-sighted people inhabit every day. A world where sometimes you can’t even tell if another person is staring deeply, romantically into your eyes or if they’re asleep. Sometimes all you normal-sighted folk’s eyes are just two dark splodges on a big pink splodge. Sorry.
This happened to me the other day, when I tried to watch Ratatouille and couldn’t find my glasses. I had to listen really intently to figure out when the rat was talking, and when the humans were. But obviously a lot of people can’t just put their glasses back on, so movies with shitty soundtracks and clumsy dialogue sound 100 times worse.
Tommy Edison goes by the title the Blind Film Critic and makes YouTube videos reviewing movies he’s never seen, only heard. It’s pretty fascinating, and totally useful for fellow blind and partially sighted movie buffs. We caught up for a chat, largely to find out what he thought of The Matrix, but also to learn more about his Instagram account, his favorite movies, and who he crushes on.
VICE: What exactly made you want to start reviewing movies in the first place?Tommy Edison: Well, I’ve always been into film, but sometimes with movies it’s a long watch, and then you get to the solution at the end and… they don’t say anything, it’s all visual. Ben, my video producer, was like: “You’ve got to see Die Hard, that’s an action movie with great dialogue.” So we thought, Hey, why not start reviewing movies?
Which movies are the most reliant on visuals?Action movies are, quite frankly, pretty dull for me, what with all the CGI, fights and effects. That’s true of most superhero movies, really. Like Thor, for example, bored me—the story wasn’t much. Although The Dark Knight was amazing.Some movies are hard enough to follow when you’re not blind. Like Inception, WTF.Well, if you close your eyes, I think you can actually follow Inception even better. That was one of the earlier ones we reviewed. Everyone kept asking me to review it, but in the end, I was actually able to follow it pretty well.
How about The Matrix?When the first Matrix movie came out I watched it over and over and still couldn’t figure out why everybody thought it was so great. Then I used the “descriptive video” feature and was able to follow it. Then I realized why everyone was going crazy for it! When I go to the movies with Ben, though, we don’t talk about the visuals—I just listen. Otherwise there wouldn’t be any point in being a blind film critic.Do you develop crushes on movie stars?Mila Kunis—I’ve never seen her, but I love her!
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vicemag:

We Interviewed a Blind Film Critic

If you’re one of those army fuckers with 20/20 vision, chances are you’re not aware that there’s a whole other (very fuzzy) world that us lesser-sighted people inhabit every day. A world where sometimes you can’t even tell if another person is staring deeply, romantically into your eyes or if they’re asleep. Sometimes all you normal-sighted folk’s eyes are just two dark splodges on a big pink splodge. Sorry.

This happened to me the other day, when I tried to watch Ratatouille and couldn’t find my glasses. I had to listen really intently to figure out when the rat was talking, and when the humans were. But obviously a lot of people can’t just put their glasses back on, so movies with shitty soundtracks and clumsy dialogue sound 100 times worse.

Tommy Edison goes by the title the Blind Film Critic and makes YouTube videos reviewing movies he’s never seen, only heard. It’s pretty fascinating, and totally useful for fellow blind and partially sighted movie buffs. We caught up for a chat, largely to find out what he thought of The Matrix, but also to learn more about his Instagram account, his favorite movies, and who he crushes on.

VICE: What exactly made you want to start reviewing movies in the first place?
Tommy Edison: 
Well, I’ve always been into film, but sometimes with movies it’s a long watch, and then you get to the solution at the end and… they don’t say anything, it’s all visual. Ben, my video producer, was like: “You’ve got to see Die Hard, that’s an action movie with great dialogue.” So we thought, Hey, why not start reviewing movies?

Which movies are the most reliant on visuals?
Action movies are, quite frankly, pretty dull for me, what with all the CGI, fights and effects. That’s true of most superhero movies, really. Like Thor, for example, bored me—the story wasn’t much. Although The Dark Knight was amazing.

Some movies are hard enough to follow when you’re not blind. Like Inception, WTF.
Well, if you close your eyes, I think you can actually follow Inception even better. That was one of the earlier ones we reviewed. Everyone kept asking me to review it, but in the end, I was actually able to follow it pretty well.

How about The Matrix?
When the first Matrix movie came out I watched it over and over and still couldn’t figure out why everybody thought it was so great. Then I used the “descriptive video” feature and was able to follow it. Then I realized why everyone was going crazy for it! When I go to the movies with Ben, though, we don’t talk about the visuals—I just listen. Otherwise there wouldn’t be any point in being a blind film critic.

Do you develop crushes on movie stars?
Mila Kunis—I’ve never seen her, but I love her!

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Salo, or the 120 Days of Sodom

I just finished watching this. I think I need to dunk my brain in a bucket of bleach. I can very much see the greatness in this film, but you need to be a strong person to get through it.

25 Albums, Bands, Exhibits, And Other Such Ephemera That Meant Something To Me In 2011

totalvibration:

 I feel like I experienced music differently in 2011. When music journalism is your 9-to-5 job, there has to be balance: What is for work and what is for myself? I still haven’t quite figured that distinction out, yet (and it’s been 13 years since I started writing about music), but what the following 25 albums, songs, bands, exhibits and more abstract music experiences (movie scenes, light installations) have in common is that they all meant something to me. And that’s the undefinable thing about music, yeah? This isn’t a profound realization, especially since the primary qualifiable thing about music (meaning) is completely intangible. But on some level and, I suppose, with some age, the parts of music that give meaning to me are starting to come together.

Some of the blurbs after the jump have previously appeared at NPR Music for my best metal and best outer sound year-end lists, and some of the text has been snatched from other write-ups, but more than half of it is new and completely unedited.

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